We waited all day for leading Democrats to claim, "Seventeen
Federal intelligence agencies say the Russians hacked the Oscars to manipulate
the election. this
has Steve Bannon's fingerprints all over it! Hollywood is Democratic and 97% of the Screen Actors Guild, SAG, members are Democratic party members." "97%" is one of their favor numbers. It sounds more scientific than "everybody."
We have also been waiting to see Chris Matthew's "Hard
Balls" guests, as most appear to be on passes from Washington, DC "funny
farms," to come out with accusations President Trump called his
best-friend Vladimir Putin to "fix the Oscars so no minority person would
win."
What happened at the Oscars is
unprecedented. The Best Picture award had been promised to a "black"
picture after the fiasco last year when no black Academy members or films were
nominated. Not even one! (gasp!)
Can you say, "White Privilege?" All the dance segments had black dancers, and
they were excellent, and if you think I am going to say, "They had rhythm,"
you are evil. Repent. Meanwhile, back on stage...
Warren
Beatty and Faye
Dunaway were given the
envelope for the "La La Land" leading
lady Emma Stone award for Best Actress, which had been awarded.
How the same card came up a second time in
the Price Waterhouse Cooper auditor man's briefcase is an issue and Russia is
suspected as 97% of all SAG members believe the Russians did it. We can only wonder if Price Waterhouse Cooper
does Donald J. Trumps' taxes.
The producers for "La
La Land" were making triumphant speeches when Fred
Berger, was speaking. Producer Jordan Horowitz grabbed
the microphone to say the film had lost to "Moonlight." No one knows what would have happened if
"Moonlight" had not won. Next
year the winner will be a film about undocumented "dreamers" who are
developing a cure for cancer until they are deported personally by President
Donald J. Trump wearing a Border Patrol uniform with a red necktie.
Everybody involved appeared to believe the scene was a
joke from the moment Warren Beatty, acting flummoxed after reading “Emma Stone,” from a red envelope, tried to make sense of what had happened, only to have the
crowd, and his co-presenter Faye Dunaway, think he was unnecessarily prolonging
the announcement for a cheap allusion to the "Bonny And Clyde" ambush
scene. Like "We're shocked to be
here!"
Price Waterhouse Coopers, the accounting firm that
counts the Oscar ballots, issued a statement taking the blame for the mix-up:
"We sincerely apologize to "Moonlight"
and "La La Land," Warren Beatty, Faye Dunaway, and Oscar
viewers for the error that was made during the award announcement for Best
Picture. The presenters had mistakenly, or by Russian instructions, been given
the wrong category envelope and when discovered, was soon awkwardly corrected.
We are currently investigating how this could have happened, and deeply regret
that this occurred. We appreciate the
grace with which the nominees, the Academy, ABC, and Jimmy Kimmel handled the
situation." Note: We did a little editing there, but this is a
swan song CPA style. Next year a black
accounting firm will run the show.
It was chaos that
has never happened in the 89-year history of the Oscars and it disproved one of the longest-running
Oscar urban legends. The Oscars have a procedure for what happens if the wrong
name is read, but the present people in charge were either unaware, ripped or
bombed.
Only two people know the names of the Oscar winners
before the envelopes are opened and read. They’re always two accountants from Price Waterhouse Coopers, PWC, the firm that tabulates Oscar
votes, and they carry the results in the famed briefcases that make their way
down the red carpet every year proving that even movie people can be cornballs.
PWC’s methods for tabulation are said to be quite
rigorous, with lots of double checks and redundancies built into their system designed
to make sure the right winner is placed into every envelope. But the firm’s method
apparently has no provision for assuring the correct envelope is handed to the
presenter. But, how much more movie-magic
could we have than for Bonnie and Clyde to
screw up given the way they left that 1934 Ford.
Adrian Vance

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